Staff
- Original work by
- Tomo Takeuchi
Serialized in Kodansha’s “Monthly Shonen Magazine”
- Director
- Yoshimi Itazu
- Series Composition/ Screenplay
- Kenichi Suemitsu
- Character Design
- Takahiro Kishida
- Chief Animation Directors
- Takahiro Chiba, Masayuki Honda
- Action Animation Directors
- Takashi Mukoda, Liang Boya
- Prop Designs
- Yu Kobayashi
- Key Animator
- Shingo Takenaka
- Art Director
- Ichiro Tatsuta
- Color Design
- Mayumi Sato
- Cinematography
- Koji Tanaka
- CG Director
- Kohei Ito
- Editor
- Junichi Uematsu
- Sound Director
- Hiromi Kikuta
- Music
- Yuki Hayashi
- Animation Production
- Production I.G.
- Opening Theme Song
- UNISON SQUARE GARDEN
- Ending Theme Song
- Mikako Komatsu
Cast
- Tatara Fujita voiced by
- Shinba Tsuchiya
- Shizuku Hanaoka voiced by
- Ayane Sakura
- Kiyoharu Hyodo voiced by
- Nobuhiko Okamoto
- Gaju Akagi voiced by
- Kentaro Tomita
- Mako Akagi voiced by
- Sumire Morohoshi
- Kaname Sengoku voiced by
- Toshiyuki Morikawa
- Tamaki Tsuburaya
- Mamiko Noto
Comment from Shinba Tsuchiya,
voice of Tatara Fujita
Every time I read this manga, I’m overwhelmed by its intense energy. The drawings are so powerful and the lines are so meaningful. Tatara’s growth and development fills me with elation. In order to convey this level of energy, I know I have to give everything I have. I have to grow and fight, just as much as Tatara does. I’m still inexperienced, but I will struggle alongside Tatara, and live and experience joy with him as well.
Comment from Ayane Sakura,
voice of Shizuku Hanaoka
Hi, I’m Ayane Sakura, voice actor for Shizuku Hanaoka. When I actually went to see a competitive dance event during the dubbing process, I realized how immensely talented and captivating the character Shizuku was. The dance scenes in the original work are so intense and uplifting, I knew they would come alive in the anime. As voice actors, we will try our best to convey the energy and emotion of the work on the screen. I hope you enjoy watching the growth, dreams and fears of the young men and women committed to competitive ballroom dancing in this exciting adaptation!
Comment by Nobuhiko Okamoto,
voice of Kiyoharu Hyodo
I’m Nobuhiko Okamoto, voice actor for Kiyoharu Hyodo. My goal is to portray Hyodo with the understanding of why and how he became a dance prodigy. I’m looking forward to the recording process as the dialogue is intriguing. This is a good opportunity for me to explore ballroom dancing myself.
Comment by Kentaro Tomita,
voice of Gaju Akagi
Hi, I’m Kentaro Tomita, voice actor for Gaju Akagi. I’m a huge fan of the original manga, which I’ve read many times. I’m ecstatic to play Gaju, a powerful, passionate character whose Gunma accent makes him sound even more intense! You won’t find many people like Gaju in everyday life. I admire his straightforward honesty and ability to say what others cannot. My goal is to portray Gaju with as much energy and intensity as the character himself.
Comment by Sumire Moroshoshi,
voice of Mako Akagi
I actually entered a dance competition so I could experience firsthand how the dancers breathe and what to emphasize. When I first wore the high heels and used muscles that I hardly ever used, I realized the difficulty of dancing in sync with a partner. I want to leverage that experience to convey how thoughtful, adorable and captivating Mako is!
Comment from Toshiyuki Morikawa,
voice of Kaname Sengoku
I play Kaname Sengoku, a professional competitive dancer who introduces the protagonist Tatara Fujita to the world of dance. It’s a huge responsibility as my goal is to portray the wonder and allure of the world of ballroom dancing through my voice. I want to proudly say, “Welcome to the Ballroom!” The Latin blood in me is starting to boil already. (laughs) I hope you enjoy it!
Comment by Tomoya Tabuchi
of UNISON SQUARE GARDEN
Hello, I’m Tomoya Tabuchi from UNISON SQUARE GARDEN, creator of the opening theme song for Welcome to the Ballroom. When I first heard about this manga adaptation to anime, I knew the opening song should be fast-paced and push the limit of expression in live action. With “the limit” as the key concept, I composed the piece incorporating as many BPMs as possible. The story opens with this light, refreshing, super pop-sounding number. This song is presented as the highest form of praise, with hope that the characters can dance with uninhibited freedom.